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17- KUNJANA VANA CHADI


KUNJANA VANA CHADI 


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kunjan bban chADi hE mAdhO 
       kahAn jAvUn gun dhAm |
.
jO main hOti
 jal ki macariya 
   prabhu kartE hO snAn

caran chU lEtI hE 
mAdhO kahAn jAvUn gun dhAm |
--

jO main hOti 
          ban kI koyaliya 
gayAn carAvan AtE

lOriyA sunAtI hE 
            mAdhO 
kahAn jAvun gun dhAm |

jO main hOti
     mugutA mOti 
gal bic hOtI hAr

piyA par caDh rahtI 
hE
 mAdhO 
kahAn jAvun gun dhAm |
================================

CLASSIC !

jO tum cAhO 
         milan hamArE
 mIrA ke ghanSyAm

daras binA 
       vyAkul hE 
mAdhO 
kahAn jAvUn gun dhAm |

====================
kunjan ban chADi hE mAdhO kahAn jAvUn gun dhAm |
Oh (hE) mAdhav (mAdhO), where (kahAn) will I go (jAvUn), Oh repository (dhAm) [1] of all virtues (guN), leaving (chADi) this grove (kunjan) and forest (ban)?

jO main hOti jal ki macariya prabhu kartE hO snAn
caran chU lEtI hE mAdhO kahAn jAvUn gun dhAm |
If (jO) I (mein) were to have been (hOti) a fish (macariya) in the water/pond (jal ki), then, when my lord (prabhu) takes (kartE hO) his bath (snAn), I would have paid obeisance to/touched (chU lEti) his feet (caran)

jO main hOti ban kI koyaliya gayAn carAvan AtE
lOriyA sunAtI hE mAdhO kahAn jAvun gun dhAm |
If I were to have been a cuckoo (kOyaliya) in the forest (ban kI), then, when my lord comes (AtE) to graze (carAvan) the cattle (gayAn), I would have sung (sunAtI) a sweet song (lOriyA)

jO main hOti sIp ki (mugutA) mOti gal bic hOtI hAr
piyA par caDh rahtI hE mAdhO kahAn jAvun gun dhAm |
If I were to have been a pearl (mOti) in an oyster (sIp kI), then, I would have been (hOti) part of a garland (hAr) on my Lord's neck (gal bic), and I would always be (caDh rahtI) on (par) my beloved (piyA)

jO tum cAhO milan hamArE mIrA ke ghanSyAm
daras binA vyAkul hE mAdhO kahAn jAvUn gun dhAm |
Oh dark-hued one (ghanSyAm) [2] of mine (mIrA kE), if (jO) you desire (cAhO) for me (hamArE) to meet with you (milan), please come. I am distraught (vyAkul) without (binA) even a glimpse (daras) of you.

Smt. MSS' version of this is simply sublime. One can hear mIrA's throbbing agony in every syllable, svara, and anusvara as she sings 'jO tum cAhO milan hamArE......' - it is certainly one of the places I 'see' the music.
..TRANSLATION  BY  RAVISHANKAR

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